LeFever was given permission to document the figurines and chose to stay with his LIVE philosophy of documenting things and people as they are, where they are - in place as anyone else would see them if they were to look. Following this tenet, but adding a light and a reflector to make up for shifting window lighting, LeFever observed where they were arranged in the dining room of the Forte residence and began shooting. Wayne's artwork provided textural backdrops behind the small crucifix figures. Each statuette was also cataloged in traditional black background as a documentation.