Aria

AKHOB


AKHOB

Awash in Pure Color

James Turrell’s Akhob (which you will be told is an Egyptian term for “pure water” when you arrive from the store elevator to the little sitting room on the 4th floor) is located atop the largest USA Louis Vuitton store. It is located at the Crystals Mall in Las Vegas between Aria and the Cosmopliton Hotels.

AKHOB is an immersive, ethereal Op-art installation that will submerge you into one of the artist’s, “ganzfelds,” or “light fields.”

It is serene.
It is meditative.

It is James Turrell.

It is a 24-25 minute cycle of color changes, and I wish it were longer. I could see an hour of silent prayer and spiritual reflection within Akhob—if one could be there alone—but the exhibit usually groups 4-6 people per time slot and those times slots are for a single rotation of the color fields.

Turrell’s interest in light as a medium is a beautiful metaphor and medium for his spiritual faith as a Quaker. My friend Brian wrote an article about it after we had attended the exhibit with his son, Cailan: Definately read it for a background on James Turrell and Brian’s recap of AKHOB from the link below.

Rather than rewrite my thoughts, I am pulling from a quote I gave Brian for his article for Assist News: “I consider AKHOB to be the best artwork found in Las Vegas. It is rare to see art so pure as to be transcendent, crossing all religions, genders, nationalities, cultures, and languages. Furthermore, AKHOB goes beyond activism, agendas, and propaganda. Turrell is one of the artists whose work achieves a philosophical quality and enters the realm of pure intellectual and sensual beauty. He touches on the spiritual beyond religious description while coming as close to nature as art gets. A masterful synthesis using light as the medium.”

I have been five times now, by myself and with friends. And here is how I like to experience AKHOB :

The first part of this method is to reserve the day’s last showing. Spend quiet time inside the ganzfield, maybe move slowly through the chambers, being absorbed into the color changes and simultaneous color contrasts created by the differently lit rooms: note the optical effect and the silence – let the soft pure color wash over you and let your nerves calm, deep breaths, relax. Note how you feel as the colors slowly change around you. The point is to be present and not distracted. Different colors induce different feelings and physical orientation. Because the rooms are “infinity” rooms (like cyc walls one finds in a photography studio—infinity walls/coves, without hard corners), there are no points of reference to a horizon or boundaries – just standing in a field of beautiful light hues – staring adds to the effect of the infinite. Light is the medium, and you are inside the artwork.

The second part is stepping back into the early evening of the Las Vegas Strip, noting the contrast into what I would call Aggressive Light Noise. Juxtaposing the two experiences can be profound, depending on how deeply you want to consider and compare the two environments. At any rate, I hope there is a “wow” moment in this for you.

What makes AKHOB so unique is the way it plays with perception and sensory experience. The installation is designed to make you feel like you are floating in a sea of light, with no reference points to orient on. The effect is both disorienting and incredibly calming. Outside on the Las Vegas Strip can also be disorienting and certainly not calming, but exciting. But maybe not in the best of ways.

Overall, James Turrell’s AKHOB is a unique work by one of the artistic giants of our time, especially amidst the Las Vegas glitz. It must be experienced to be fully appreciated. It is an artistically masterful example of light as art. More pure than paint. When in Las Vegas, it’s worth a visit.

But if you can’t get in to see the show, you can still experience a Turrell. Just across the Crystals Mall at the elevators and tram station is another Turrell install. You can get a taste of his visual op-art there (one Aria concierge said he preferred this to AKHOB), so take your pick or see them both (we usually do both – the elevator/tram installation is a fun photo op and there are no time restrictions or reservations). But do know this: Turrell’s Optical Light Art is best valued with full immersion taking time to slow down enough and observe how color affects all around it and how color can change one’s mood and with that, perception.

External Links:

Louis Vuitton would not allow me to take photos for this blog, but Turrell is worth the see – so the links below will give you an idea.

Brian Nixon Article on AKHOB: https://www.assistnews.net/pure-water-in-the-desert-james-turrell-s-akhob/

A James Turrell Video (among many more to be found at right—this video is in German with English subtitles and gives you a great idea of what the ganzfeld experience is like -from a video point of view – NOTHING like actually being immersed): Get a taste here on YouTube : https://www.youtube.com/watch?v=QWekIcZaKns

I am told You may contact the AKHOB City Center Team to make reservations: 702-730-3150 however, I was also told reservations can now only be made by email – (which I wasn’t provided). Try the phone number and go from there.


  • Hello & Welcome
    Greetings to the new blog portion of lefever.com
  • In The Beginning
    Curiosity bred invention that became quite the creative journey and developed an understanding of human perception.
  • Another Type Of Seeing
    Building on my previous post and making a memoir of how this multi-exposure style developed.
  • Circumstances 1
    I, for one, need stability in which to create. Sometimes circumstances dictate the course. This is a short story of an art in development.
  • Circumstances 2
    Sometimes a “NO” can be a blessing needed for new life. But who knows when in the middle of outrage?
  • Circumstances 3
    With 2020 an existential freakout and restriction like dark clouds break for a beam of light and new direction.
  • Circumstances 4 (conclusion)
    This is how some creative ideas develop as the developmental course gets blocked and altered by circumstance—but then: lightning.
  • Bob Dylan Didn’t Say That!
    This is a fine example of memory conflation. Bob Dylan didn’t say that! What did Bob Dylan say?
  • Art Review: Chihuly
    Chihuly Glass: Oklahoma City, OK and Las Vegas, NV I… Read more: Art Review: Chihuly
  • Art Review: Schnabel
    My Favorite Painting in Aria, Las Vegas–And A Cup Of… Read more: Art Review: Schnabel
  • Art Review: Rauschenberg
    Robert Rauschenberg artworks to be found in plain view at the Bellagio Hotel, Las Vegas – A review.
  • InBloom
    Bellagio Gallery of Fine Art, presents a wonderful show, In Bloom, curated from the Santa Fe TIA Collection.
  • AKHOB
    Bellagio Gallery of Fine Art, presents a wonderful show, In Bloom, curated from the Santa Fe TIA Collection.

AKHOB Read More »

Julian Schnabel Untitled (Zeus Duende) at the Aria

Art Review: Schnabel


My Favorite Painting in Aria, Las Vegas–And A Cup Of Joe.

Julian Schnabel’s Untitled (Zeus Duende) painting surprised and delighted me the first time I found it hanging in the most unexpected location on the second floor between the Aria upstairs restaurants and convention rooms.

It is a sizeable gestural neo-expressionist work of art created in 1992. The thick impasto white, yellow ochre, purple, and black oil paint are muscled across the dark stained tarp and given contextual personality with the name “zeus” written in white. Zeus is written center right of an amorphous shape that could be a hand, a teapot, or an expressionist gesture of the Greek deity for which the painting is named.

Julian Schanbel’s painting, Untitled (Zeus Duende) behind a very reflective plexiglass at Aria, Las Vegas.

Curious to me that the white blobby paint structure above the vesselish purple-ochre gestures reminds me of a head in Picasso’s Guernica. Coincidence? A tribute to Picasso, the Spaniard who embodies duende? My projection, my assumption? Possibly, but who cares—it’s Schnabel, after all.

Why do I like it so much? Why is this painting by Julian Schnabel my favorite artwork at Aria despite being quietly hung as if ignored on the upper floor across from the closed theater area and next to a Starbucks, where most people walk right past it?

I am drawn to the way the paint is applied in that Neo-expressionist impasto Schnabel style that evokes a sense of rough movement and force. The painting itself is a massive 12 x 22 feet of artist bravado. The paint application has the poetics of awkward youth – nothing refined here, pure primal, ipso-facto in-your-face-ism. It isn’t pretty. But it is attractive to me in its sheer force of unapologetic creation. It speaks of the freedom with which Julian paints.

This painting is undefined enough in its expression to entertain one’s imagination. Is this the triumphant Zeus spearing some spastic sea monster? Is that zeus (with a little z) himself as a teapot or some vessel of his power? Or is the artwork’s muscle and scale enough to suggest the presence of the mythological god (with a small g)? We are not given any clues but a single word on the painting. It is also from a series that includes the word duende—that intangible Spanish word for the creative spirit. Hirsch wrote a book about duende, a must-read for any creative. And duende is found at scale, as if the creative energy of Zeus is displayed as a Schnabelian soul dance.

Julian’s freedom impresses me—his reactionary experimentation in the moment, his ability to imbue his works with a sense of energy and raw vitality almost carelessly but with balance. The personal abandon in his paint application and art sense—that “I don’t give-a-shit” BIG and BOLD attitude I feel in his artworks, has always made me a bit envious. I feel creation’s process and long to afford such abandon. This is what I appreciate about this painting—that it isn’t me is what draws me to it.

Overall, Untitled (Zeus Duende) is a powerful and dynamic work of art that captures the viewer’s attention and imagination. I visit it every time I am at the Aria. Go see it next time you are there, grab a coffee, and let Schnabel’s zeus soak in.

Here is a link to this work and others in the Zeus and Duende series: https://www.julianschnabel.com/paintings/tarp-paintings-items/untitled-mi-vida-es-una-cumbre-de-menitras

And a GREAT book on the idea of Duende: The Demon and the Angel: Searching for the Source of Artistic Inspiration (Edward Hirsch ) on Amazon


  • Hello & Welcome
    Greetings to the new blog portion of lefever.com
  • In The Beginning
    Curiosity bred invention that became quite the creative journey and developed an understanding of human perception.
  • Another Type Of Seeing
    Building on my previous post and making a memoir of how this multi-exposure style developed.
  • Circumstances 1
    I, for one, need stability in which to create. Sometimes circumstances dictate the course. This is a short story of an art in development.
  • Circumstances 2
    Sometimes a “NO” can be a blessing needed for new life. But who knows when in the middle of outrage?
  • Circumstances 3
    With 2020 an existential freakout and restriction like dark clouds break for a beam of light and new direction.
  • Circumstances 4 (conclusion)
    This is how some creative ideas develop as the developmental course gets blocked and altered by circumstance—but then: lightning.
  • Bob Dylan Didn’t Say That!
    This is a fine example of memory conflation. Bob Dylan didn’t say that! What did Bob Dylan say?
  • Art Review: Chihuly
    Chihuly Glass: Oklahoma City, OK and Las Vegas, NV I… Read more: Art Review: Chihuly
  • Art Review: Schnabel
    My Favorite Painting in Aria, Las Vegas–And A Cup Of… Read more: Art Review: Schnabel
  • Art Review: Rauschenberg
    Robert Rauschenberg artworks to be found in plain view at the Bellagio Hotel, Las Vegas – A review.
  • InBloom
    Bellagio Gallery of Fine Art, presents a wonderful show, In Bloom, curated from the Santa Fe TIA Collection.
  • AKHOB
    Bellagio Gallery of Fine Art, presents a wonderful show, In Bloom, curated from the Santa Fe TIA Collection.

Art Review: Schnabel Read More »

Circumstances 2


Circumstance Dictates Course

pt2. (Blocked Into Treasure)

Continued from the previous post:

But then continuing events would change the direction my art was taking.

I was being stopped too often by Casino security for unfounded terrorism concerns.

Being stopped and exiled from Aria, The Venetian, Circus Circus; I no longer felt free to explore and was constantly on the lookout for Security while being aware of the multitude of cameras in any casino. Despite showing camera playback to security personnel and describing the abstract photos I was making as an attempt to release myself from restriction, I was too suspicious of a character to be allowed to continue; my cameras and lenses being the principal concern. My argument that all the people taking photographs through the casinos with their cell phones was no help in my defense. I was low-hanging fruit. One guard’s logic was that the people photographing with cell phones were all guests staying at the casino. (“??”)

One time at the Venetian, after shutting off my camera and capping the lens, because I didn’t turn around and go home but chose instead to continue through the casino on my way to a shopping mall, I was surrounded by five security guards, one with a dog, all with their hands on pistol, a few standing at a distance in obtuse angles while the head of Security questioned me. From that incident, at that casino, I became known there as the “multi-exposure guy.”

I even asked for permission once from the Sands/Venetian organization and was denied access to take photographs for my exploratory art project. I even offered them usage rights if they found it interesting enough.

They didn’t.

I was frustrated at the very least and felt my time with multiple exposures was ending—my local sources were blocked.

You see, it’s not always about art with us artists; it is often a method of thinking about life through a creative formation (or rather, while in that process which involves observation and trial), and that leads to some enlightening strata as one digs deeper into philosophical ground or historical lineage or a theory that develops during the creative progress. It’s not always just about art for art’s sake: for some of us, it’s a process of experiencing and considering life. And yes, we sound weird about it in conversations and blogs.

I found pawn stores and vintage shops in the Las Vegas Arts District [this was pre-covid]. Yes, it was a drive. But now the time was more concentrated to a full day through 5 stores every other week.

For the next year, these stores fed me with no end of source material and without anxiety since I had permission from the shop owners to make my creative explorations. The creative flow was vital again.

From this shift, the images advanced into new thematic territory.

I was in discovery heaven.

And then, 2020…

(continued in part 3).


  • Hello & Welcome
    Greetings to the new blog portion of lefever.com
  • In The Beginning
    Curiosity bred invention that became quite the creative journey and developed an understanding of human perception.
  • Another Type Of Seeing
    Building on my previous post and making a memoir of how this multi-exposure style developed.
  • Circumstances 1
    I, for one, need stability in which to create. Sometimes circumstances dictate the course. This is a short story of an art in development.
  • Circumstances 2
    Sometimes a “NO” can be a blessing needed for new life. But who knows when in the middle of outrage?
  • Circumstances 3
    With 2020 an existential freakout and restriction like dark clouds break for a beam of light and new direction.
  • Circumstances 4 (conclusion)
    This is how some creative ideas develop as the developmental course gets blocked and altered by circumstance—but then: lightning.
  • Bob Dylan Didn’t Say That!
    This is a fine example of memory conflation. Bob Dylan didn’t say that! What did Bob Dylan say?
  • Art Review: Chihuly
    Chihuly Glass: Oklahoma City, OK and Las Vegas, NV I… Read more: Art Review: Chihuly
  • Art Review: Schnabel
    My Favorite Painting in Aria, Las Vegas–And A Cup Of… Read more: Art Review: Schnabel
  • Art Review: Rauschenberg
    Robert Rauschenberg artworks to be found in plain view at the Bellagio Hotel, Las Vegas – A review.
  • InBloom
    Bellagio Gallery of Fine Art, presents a wonderful show, In Bloom, curated from the Santa Fe TIA Collection.
  • AKHOB
    Bellagio Gallery of Fine Art, presents a wonderful show, In Bloom, curated from the Santa Fe TIA Collection.

Circumstances 2 Read More »

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