Las Vegas

AKHOB


AKHOB

Awash in Pure Color

James Turrell’s Akhob (which you will be told is an Egyptian term for “pure water” when you arrive from the store elevator to the little sitting room on the 4th floor) is located atop the largest USA Louis Vuitton store. It is located at the Crystals Mall in Las Vegas between Aria and the Cosmopliton Hotels.

AKHOB is an immersive, ethereal Op-art installation that will submerge you into one of the artist’s, “ganzfelds,” or “light fields.”

It is serene.
It is meditative.

It is James Turrell.

It is a 24-25 minute cycle of color changes, and I wish it were longer. I could see an hour of silent prayer and spiritual reflection within Akhob—if one could be there alone—but the exhibit usually groups 4-6 people per time slot and those times slots are for a single rotation of the color fields.

Turrell’s interest in light as a medium is a beautiful metaphor and medium for his spiritual faith as a Quaker. My friend Brian wrote an article about it after we had attended the exhibit with his son, Cailan: Definately read it for a background on James Turrell and Brian’s recap of AKHOB from the link below.

Rather than rewrite my thoughts, I am pulling from a quote I gave Brian for his article for Assist News: “I consider AKHOB to be the best artwork found in Las Vegas. It is rare to see art so pure as to be transcendent, crossing all religions, genders, nationalities, cultures, and languages. Furthermore, AKHOB goes beyond activism, agendas, and propaganda. Turrell is one of the artists whose work achieves a philosophical quality and enters the realm of pure intellectual and sensual beauty. He touches on the spiritual beyond religious description while coming as close to nature as art gets. A masterful synthesis using light as the medium.”

I have been five times now, by myself and with friends. And here is how I like to experience AKHOB :

The first part of this method is to reserve the day’s last showing. Spend quiet time inside the ganzfield, maybe move slowly through the chambers, being absorbed into the color changes and simultaneous color contrasts created by the differently lit rooms: note the optical effect and the silence – let the soft pure color wash over you and let your nerves calm, deep breaths, relax. Note how you feel as the colors slowly change around you. The point is to be present and not distracted. Different colors induce different feelings and physical orientation. Because the rooms are “infinity” rooms (like cyc walls one finds in a photography studio—infinity walls/coves, without hard corners), there are no points of reference to a horizon or boundaries – just standing in a field of beautiful light hues – staring adds to the effect of the infinite. Light is the medium, and you are inside the artwork.

The second part is stepping back into the early evening of the Las Vegas Strip, noting the contrast into what I would call Aggressive Light Noise. Juxtaposing the two experiences can be profound, depending on how deeply you want to consider and compare the two environments. At any rate, I hope there is a “wow” moment in this for you.

What makes AKHOB so unique is the way it plays with perception and sensory experience. The installation is designed to make you feel like you are floating in a sea of light, with no reference points to orient on. The effect is both disorienting and incredibly calming. Outside on the Las Vegas Strip can also be disorienting and certainly not calming, but exciting. But maybe not in the best of ways.

Overall, James Turrell’s AKHOB is a unique work by one of the artistic giants of our time, especially amidst the Las Vegas glitz. It must be experienced to be fully appreciated. It is an artistically masterful example of light as art. More pure than paint. When in Las Vegas, it’s worth a visit.

But if you can’t get in to see the show, you can still experience a Turrell. Just across the Crystals Mall at the elevators and tram station is another Turrell install. You can get a taste of his visual op-art there (one Aria concierge said he preferred this to AKHOB), so take your pick or see them both (we usually do both – the elevator/tram installation is a fun photo op and there are no time restrictions or reservations). But do know this: Turrell’s Optical Light Art is best valued with full immersion taking time to slow down enough and observe how color affects all around it and how color can change one’s mood and with that, perception.

External Links:

Louis Vuitton would not allow me to take photos for this blog, but Turrell is worth the see – so the links below will give you an idea.

Brian Nixon Article on AKHOB: https://www.assistnews.net/pure-water-in-the-desert-james-turrell-s-akhob/

A James Turrell Video (among many more to be found at right—this video is in German with English subtitles and gives you a great idea of what the ganzfeld experience is like -from a video point of view – NOTHING like actually being immersed): Get a taste here on YouTube : https://www.youtube.com/watch?v=QWekIcZaKns

I am told You may contact the AKHOB City Center Team to make reservations: 702-730-3150 however, I was also told reservations can now only be made by email – (which I wasn’t provided). Try the phone number and go from there.


  • Hello & Welcome
    Greetings to the new blog portion of lefever.com
  • In The Beginning
    Curiosity bred invention that became quite the creative journey and developed an understanding of human perception.
  • Another Type Of Seeing
    Building on my previous post and making a memoir of how this multi-exposure style developed.
  • Circumstances 1
    I, for one, need stability in which to create. Sometimes circumstances dictate the course. This is a short story of an art in development.
  • Circumstances 2
    Sometimes a “NO” can be a blessing needed for new life. But who knows when in the middle of outrage?
  • Circumstances 3
    With 2020 an existential freakout and restriction like dark clouds break for a beam of light and new direction.
  • Circumstances 4 (conclusion)
    This is how some creative ideas develop as the developmental course gets blocked and altered by circumstance—but then: lightning.
  • Bob Dylan Didn’t Say That!
    This is a fine example of memory conflation. Bob Dylan didn’t say that! What did Bob Dylan say?
  • Art Review: Chihuly
    Chihuly Glass: Oklahoma City, OK and Las Vegas, NV I… Read more: Art Review: Chihuly
  • Art Review: Schnabel
    My Favorite Painting in Aria, Las Vegas–And A Cup Of… Read more: Art Review: Schnabel
  • Art Review: Rauschenberg
    Robert Rauschenberg artworks to be found in plain view at the Bellagio Hotel, Las Vegas – A review.
  • InBloom
    Bellagio Gallery of Fine Art, presents a wonderful show, In Bloom, curated from the Santa Fe TIA Collection.
  • AKHOB
    Bellagio Gallery of Fine Art, presents a wonderful show, In Bloom, curated from the Santa Fe TIA Collection.

AKHOB Read More »

Modification of Shawn Huckins, Evening Glow at Lake Louise: Hey Siri, How Do I Leave the Planet?, 2019 In Bloom Courtesy of TIA Collection

InBloom


Bellagio Gallery of Fine Art, In Bloom

One of the great art offerings among the Las Vegas casinos can be found at the Bellagio Gallery of Fine Art. The gallery is small and often offers uniquely curated shows. It’s a nice bit of culture to add to one’s Las Vegas stay between sunny days of sipping one’s favorite beverage at the pool, gambling play, exquisite dining, and evening entertainment. 

One of my past favorite exhibits there introduced me to the large photographs of one of the great portrait photographers ever, Yousuf Karsh 1908-2002—having photographed portraits professionally, I found that show to be quite impressive (and unexpected).

Currently there is an excellent exhibit at the Bellagio Fine Art Gallery ongoing until September 10, 2023.

In Bloom is curated from the TIA Collection of Santa Fe, New Mexico. TIA is a global art collection that actively supports artists & museums through acquisitions, loans & publications. This show is one such loan and was curated specifically for the Bellagio Gallery of Fine Art, featuring works by Regina Bogat, Nick Cave, Salvador Dalí, Robert Mapplethorpe, Alex Katz, Yinka Shonibare CBE, Ai Weiwei, Terry Winters, Earl Biss, Karla Black, Martine Gutierrez, Dan Colen, Lois Dodd, Jiří Georg Dokoupil, Nicholai Fechin, Shawn Huckins, Rachel Kneebone, Tamara Kvesitadze, James Lavadour, Ralph Meyers, B.J.O. Nordfeldt, Michelangelo Pistolleto, Miron Schmückle, David Simpson, and Judy Tuwaletstiwa. 

Usng the metaphor of Spring, the show presents themes of rebirth, abstraction, and humanity in general. It is an eclectic gathering of artists and art that expresses various perspectives through painting, sculpture, and photography to offer considerations of seasonal change in culture and life.

I always buy show catalogs if they are available. Unfortunately, this show did not have a catalog at the time of my visit. I was allowed to photograph everything. So, courtesy of Bellagio Gallery of Fine Art press photos mixed with my own iPhone photos, I present my In Bloom review in pictures.

External Links:

In Bloom / Bellagio website: https://bellagio.mgmresorts.com/en/entertainment/gallery-of-fine-art.html

Yousuf Karsh website https://karsh.org 

TIA Collection website: https://tiacollectioncatalogues.org

History of Bellagio Gallery of Fine Art: https://en.wikipedia.org/wiki/Bellagio_Gallery_of_Fine_Art


  • Hello & Welcome
    Greetings to the new blog portion of lefever.com
  • In The Beginning
    Curiosity bred invention that became quite the creative journey and developed an understanding of human perception.
  • Another Type Of Seeing
    Building on my previous post and making a memoir of how this multi-exposure style developed.
  • Circumstances 1
    I, for one, need stability in which to create. Sometimes circumstances dictate the course. This is a short story of an art in development.
  • Circumstances 2
    Sometimes a “NO” can be a blessing needed for new life. But who knows when in the middle of outrage?
  • Circumstances 3
    With 2020 an existential freakout and restriction like dark clouds break for a beam of light and new direction.
  • Circumstances 4 (conclusion)
    This is how some creative ideas develop as the developmental course gets blocked and altered by circumstance—but then: lightning.
  • Bob Dylan Didn’t Say That!
    This is a fine example of memory conflation. Bob Dylan didn’t say that! What did Bob Dylan say?
  • Art Review: Chihuly
    Chihuly Glass: Oklahoma City, OK and Las Vegas, NV I… Read more: Art Review: Chihuly
  • Art Review: Schnabel
    My Favorite Painting in Aria, Las Vegas–And A Cup Of… Read more: Art Review: Schnabel
  • Art Review: Rauschenberg
    Robert Rauschenberg artworks to be found in plain view at the Bellagio Hotel, Las Vegas – A review.
  • InBloom
    Bellagio Gallery of Fine Art, presents a wonderful show, In Bloom, curated from the Santa Fe TIA Collection.
  • AKHOB
    Bellagio Gallery of Fine Art, presents a wonderful show, In Bloom, curated from the Santa Fe TIA Collection.

InBloom Read More »

Robert Rauschenberg at the Bellagio

Art Review: Rauschenberg


Rauschenberg Surprise at the Bellagio!

Robert Rauschenberg (1925-2008) has significantly influenced contemporary art through his innovative approach to art-making, unconventional materials, and rejection of traditional artistic boundaries. His use of found objects, collages, and experimental techniques paved the way for future artists to explore new forms of creative expression. 

Quick history: Rauschenberg gained fame in the 1950s and 60s as part of the Neo-Dada and Pop Art movements.

By appropriating images from the media and incorporating them into his works, challenging the traditional boundaries between art and everyday life, Rauschenberg, significantly influenced the post World War II art world.

Marcel Duchamp was an influence and friend of Robert’s, and Duchamp’s”ready-made” was a natural lead into the Rauschenberg “found object,” which reflects neo-dada. Also the use by Braque and Picasso during “Synthetic Cubism” of collaging newspaper and printed materials in their paintings could very well have played an influence or at least began a leaning to the direction of pop and use of the common before Rauschenberg’s collage style really brought home the use of popular media. Regardless of influences and doors of culture, Rauschenberg’s use of the common profoundly impacted contemporary art, inspiring other artists to incorporate everyday objects and media images into their work.

I can’t say I was influenced directly or intentionally by Rauschenberg; however, my latest work carries a slight flavor of influence that also pulls from popular printed material sources, as did Rauschenberg, playing with context through juxtaposition. I likely landed on my current photographic art style because of cultural saturation and Robert’s juggernaut creativity which opened so many artistic paths. He was a master of this, bravely experimenting. And he led the way for this busy layered art style as if a synthesis of all things in a moment everywhere could be known: a picture of elevated awareness as if being hyper-conscious. 

I wasn’t initially impressed with Robert Rauschenberg’s work – it was beyond me. It wasn’t until I saw his retrospective show in New York in 1997: that was spectacular, and his genius was apparent at scale and over time.

Mark Rothko believed in the importance of engaging with an artist’s entire body of work. Rothko thought that art was a means of expressing deep, complex emotions and ideas and that viewing a single artwork was not enough to fully understand an artist’s vision. That is what seeing the Rauschenberg retrospective was for me; now, that particular retrospective show catalog is a treasure of mine and I have great respect for Robert Rauschenberg’s accomplishments.

Robert Rauschenberg at Bellagio front desk, Las Vegas.

This is the Rauschenberg behind the front desk at the Bellagio, Las Vegas: photographed with my iPhone and including glass reflections.

And with all that said, unbeknownst to many, two 1999 Rauschenbergs are hanging at the Bellagio. That’s right, there is more at the Bellagio than the Chihullys that I previously highlighted or their famous gardens. I have more to speak about regarding the Bellagio, but for now, let me just point to where you will find the Rauschenberg artworks. One is sitting in plain sight and missed even by the staff (hard to believe, but I had to point out the painting to a few working at the front check-in and info desk). And that is where you will find the first Rauschenberg – at the right side of the front check-in desk just after you walk under the Chihuly glass fiori-covered lobby ceiling! 

The other artwork hangs behind a very reflective and protective thick plexiglass at the end of a long hall that you use to get to the pool and just past the Bellagio Art Gallery. 

Check them out next time you are at the Bellagio for a stay, play, meal, show, or the art gallery (or all the above).

Robert Rauschenberg Artwork #2 at the Bellagio in the hallway near the Art Gallery

The very large Rauschenberg that hangs behind a very reflective and protective thick plexiglass at the end of a long hall just past the Bellagio Art Gallery. iPhone and w/reflections.

  • Hello & Welcome
    Greetings to the new blog portion of lefever.com
  • In The Beginning
    Curiosity bred invention that became quite the creative journey and developed an understanding of human perception.
  • Another Type Of Seeing
    Building on my previous post and making a memoir of how this multi-exposure style developed.
  • Circumstances 1
    I, for one, need stability in which to create. Sometimes circumstances dictate the course. This is a short story of an art in development.
  • Circumstances 2
    Sometimes a “NO” can be a blessing needed for new life. But who knows when in the middle of outrage?
  • Circumstances 3
    With 2020 an existential freakout and restriction like dark clouds break for a beam of light and new direction.
  • Circumstances 4 (conclusion)
    This is how some creative ideas develop as the developmental course gets blocked and altered by circumstance—but then: lightning.
  • Bob Dylan Didn’t Say That!
    This is a fine example of memory conflation. Bob Dylan didn’t say that! What did Bob Dylan say?
  • Art Review: Chihuly
    Chihuly Glass: Oklahoma City, OK and Las Vegas, NV I… Read more: Art Review: Chihuly
  • Art Review: Schnabel
    My Favorite Painting in Aria, Las Vegas–And A Cup Of… Read more: Art Review: Schnabel
  • Art Review: Rauschenberg
    Robert Rauschenberg artworks to be found in plain view at the Bellagio Hotel, Las Vegas – A review.
  • InBloom
    Bellagio Gallery of Fine Art, presents a wonderful show, In Bloom, curated from the Santa Fe TIA Collection.
  • AKHOB
    Bellagio Gallery of Fine Art, presents a wonderful show, In Bloom, curated from the Santa Fe TIA Collection.

Art Review: Rauschenberg Read More »

Julian Schnabel Untitled (Zeus Duende) at the Aria

Art Review: Schnabel


My Favorite Painting in Aria, Las Vegas–And A Cup Of Joe.

Julian Schnabel’s Untitled (Zeus Duende) painting surprised and delighted me the first time I found it hanging in the most unexpected location on the second floor between the Aria upstairs restaurants and convention rooms.

It is a sizeable gestural neo-expressionist work of art created in 1992. The thick impasto white, yellow ochre, purple, and black oil paint are muscled across the dark stained tarp and given contextual personality with the name “zeus” written in white. Zeus is written center right of an amorphous shape that could be a hand, a teapot, or an expressionist gesture of the Greek deity for which the painting is named.

Julian Schanbel’s painting, Untitled (Zeus Duende) behind a very reflective plexiglass at Aria, Las Vegas.

Curious to me that the white blobby paint structure above the vesselish purple-ochre gestures reminds me of a head in Picasso’s Guernica. Coincidence? A tribute to Picasso, the Spaniard who embodies duende? My projection, my assumption? Possibly, but who cares—it’s Schnabel, after all.

Why do I like it so much? Why is this painting by Julian Schnabel my favorite artwork at Aria despite being quietly hung as if ignored on the upper floor across from the closed theater area and next to a Starbucks, where most people walk right past it?

I am drawn to the way the paint is applied in that Neo-expressionist impasto Schnabel style that evokes a sense of rough movement and force. The painting itself is a massive 12 x 22 feet of artist bravado. The paint application has the poetics of awkward youth – nothing refined here, pure primal, ipso-facto in-your-face-ism. It isn’t pretty. But it is attractive to me in its sheer force of unapologetic creation. It speaks of the freedom with which Julian paints.

This painting is undefined enough in its expression to entertain one’s imagination. Is this the triumphant Zeus spearing some spastic sea monster? Is that zeus (with a little z) himself as a teapot or some vessel of his power? Or is the artwork’s muscle and scale enough to suggest the presence of the mythological god (with a small g)? We are not given any clues but a single word on the painting. It is also from a series that includes the word duende—that intangible Spanish word for the creative spirit. Hirsch wrote a book about duende, a must-read for any creative. And duende is found at scale, as if the creative energy of Zeus is displayed as a Schnabelian soul dance.

Julian’s freedom impresses me—his reactionary experimentation in the moment, his ability to imbue his works with a sense of energy and raw vitality almost carelessly but with balance. The personal abandon in his paint application and art sense—that “I don’t give-a-shit” BIG and BOLD attitude I feel in his artworks, has always made me a bit envious. I feel creation’s process and long to afford such abandon. This is what I appreciate about this painting—that it isn’t me is what draws me to it.

Overall, Untitled (Zeus Duende) is a powerful and dynamic work of art that captures the viewer’s attention and imagination. I visit it every time I am at the Aria. Go see it next time you are there, grab a coffee, and let Schnabel’s zeus soak in.

Here is a link to this work and others in the Zeus and Duende series: https://www.julianschnabel.com/paintings/tarp-paintings-items/untitled-mi-vida-es-una-cumbre-de-menitras

And a GREAT book on the idea of Duende: The Demon and the Angel: Searching for the Source of Artistic Inspiration (Edward Hirsch ) on Amazon


  • Hello & Welcome
    Greetings to the new blog portion of lefever.com
  • In The Beginning
    Curiosity bred invention that became quite the creative journey and developed an understanding of human perception.
  • Another Type Of Seeing
    Building on my previous post and making a memoir of how this multi-exposure style developed.
  • Circumstances 1
    I, for one, need stability in which to create. Sometimes circumstances dictate the course. This is a short story of an art in development.
  • Circumstances 2
    Sometimes a “NO” can be a blessing needed for new life. But who knows when in the middle of outrage?
  • Circumstances 3
    With 2020 an existential freakout and restriction like dark clouds break for a beam of light and new direction.
  • Circumstances 4 (conclusion)
    This is how some creative ideas develop as the developmental course gets blocked and altered by circumstance—but then: lightning.
  • Bob Dylan Didn’t Say That!
    This is a fine example of memory conflation. Bob Dylan didn’t say that! What did Bob Dylan say?
  • Art Review: Chihuly
    Chihuly Glass: Oklahoma City, OK and Las Vegas, NV I… Read more: Art Review: Chihuly
  • Art Review: Schnabel
    My Favorite Painting in Aria, Las Vegas–And A Cup Of… Read more: Art Review: Schnabel
  • Art Review: Rauschenberg
    Robert Rauschenberg artworks to be found in plain view at the Bellagio Hotel, Las Vegas – A review.
  • InBloom
    Bellagio Gallery of Fine Art, presents a wonderful show, In Bloom, curated from the Santa Fe TIA Collection.
  • AKHOB
    Bellagio Gallery of Fine Art, presents a wonderful show, In Bloom, curated from the Santa Fe TIA Collection.

Art Review: Schnabel Read More »

Art Review: Chihuly


Chihuly Glass: Oklahoma City, OK and Las Vegas, NV

I was recently in Oklahoma City with my long-time friend, Brian Nixon. Whenever we are together, museums and galleries are on the itinerary. 

Oklahoma City Museum of Art has an extensive Dale Chihuly Glass collection and was showing the Chihuly Then and Now: The Collection at Twenty  exhibit, featuring five decades of Chihuly works and celebrating the 20th anniversary of the museum’s collection of Chihuly glass and paintings.

Chihuly’s innovative and intricate glasswork is inspired by organic shapes of nature, colorfully intense, world-renowned. The Oklahoma collection exhibits works ranging from small glass bowls and vases to more extensive, complex installations that fill entire rooms. Some notable artworks are the “Persian Ceiling” installation, composed of hundreds of hand-blown glass pieces arranged in an array of colors and shapes, “Mille Fiori,” a massive, colorful chandelier comprising thousands of individual glass pieces, “Macchia,” a series of vibrant, abstract glass vessels, and the enchanting: “Ikebana Boat” and “Float Boat,” two actual rowboats filled with Chihuly Glass.

Of course, I took some iPhone photos, and some are presented below.

For more information on the show at Oklahoma, here is a link about the collection:

https://www.okcmoa.com/collections/dale-chihuly/

As a new blog about creativity and art making, I have also decided to highlight the museum-quality art hidden around Las Vegas for those who wonder where the Las Vegas Museum of Art is located: it is hidden in plain sight around the Hotels and Casinos. I will tag these as “Art Reviews.”

The first place I want to mention is the Bellagio’s famous Dale Chihuly Glass ceiling, which looks like a sky of glass flowers (or jellyfish if you are ‘tripping’)—”Fiori di Como.” It is a showpiece and perhaps the most famous of glass artworks by Dale Chihuly. 

The 1998 glass sculpture “Fiori di Como” hangs from the ceiling in Bellagio’s lobby and took two years to complete with the help of 100 artisans under the direction of Chihuly and in collaboration with Steve Wynn. The sculpture consists of 2,000 hand-blown glass blossoms that weigh about 40,000 pounds and are supported by a 10,000-pound steel armature. That’s all overhead. The piece covers 2,100 square feet and is seen by over 15,000 people daily. Every morning between 2 and 5 a.m., a team of engineers cleans and maintains the sculpture, which answers the question of dust and bugs.

But there is another beautiful Chihuly “fiora,” and most people never notice this. Yet, it is rich and seductive with its blue glass flowers and yellow twisty horns. It sits middle square in the lounge of the Baccarat Bar under a gold-leafed ceiling. Beautiful. Stop in and have a drink while drinking in the beauty to be found around the Bellagio. More to come on that. 

I will highlight where in Vegas you can find museum-caliber art by Blue Chip artists, so art lovers can easily find them. In the meantime, here are some pics of the Chihuly glass mentioned above.

Chihuly in Oklahoma City Museum of Art and in the Bellagio, Las Vegas


  • Hello & Welcome
    Greetings to the new blog portion of lefever.com
  • In The Beginning
    Curiosity bred invention that became quite the creative journey and developed an understanding of human perception.
  • Another Type Of Seeing
    Building on my previous post and making a memoir of how this multi-exposure style developed.
  • Circumstances 1
    I, for one, need stability in which to create. Sometimes circumstances dictate the course. This is a short story of an art in development.
  • Circumstances 2
    Sometimes a “NO” can be a blessing needed for new life. But who knows when in the middle of outrage?
  • Circumstances 3
    With 2020 an existential freakout and restriction like dark clouds break for a beam of light and new direction.
  • Circumstances 4 (conclusion)
    This is how some creative ideas develop as the developmental course gets blocked and altered by circumstance—but then: lightning.
  • Bob Dylan Didn’t Say That!
    This is a fine example of memory conflation. Bob Dylan didn’t say that! What did Bob Dylan say?
  • Art Review: Chihuly
    Chihuly Glass: Oklahoma City, OK and Las Vegas, NV I… Read more: Art Review: Chihuly
  • Art Review: Schnabel
    My Favorite Painting in Aria, Las Vegas–And A Cup Of… Read more: Art Review: Schnabel
  • Art Review: Rauschenberg
    Robert Rauschenberg artworks to be found in plain view at the Bellagio Hotel, Las Vegas – A review.
  • InBloom
    Bellagio Gallery of Fine Art, presents a wonderful show, In Bloom, curated from the Santa Fe TIA Collection.
  • AKHOB
    Bellagio Gallery of Fine Art, presents a wonderful show, In Bloom, curated from the Santa Fe TIA Collection.

Art Review: Chihuly Read More »

Circumstances 3


Circumstance Dictates Course

pt3. (Restriction Brings Enlightenment)

Continued from the previous post:

And then, 2020: COVID-19 and government-ordered isolation.

I was already in an Empathy Loop, feeling the loss of my memories. A post-dementia experience with a relative had me unraveled. My paradigm of self was shaken and weak as a result. I wondered about the fragile assumptions we all carry of ourselves and our lives, of the permanence of our identities—about the life stories we tell that define who we are, markers of our prior existence to our current moment and age—about who we are when we lose our memories of self and the others to whom we relate and measure our worldly time. With those memories gone, who are we? Who are we but for our memories other than the most basic of animals? And what if all we know, we can’t recall?

A great existential freak-out for me.

I was already struggling with this identity paradigm shift when Las Vegas was mandated closed. And now, all my usual locations are no longer available for picture resource mining. The one thing that balances me—creating visual images and making art—was stopped. I again found myself in that situation of having nowhere to make my multiple exposures. Furthermore, isolated by mandate and a stoked fear, I could feel an overbearing sense of external behavior modification being implemented.

I needed to take the work I started with the triple exposures photo abstractions to a conclusion, but I had already resourced Vegas architecture, the monorail, and signage. Nature didn’t work for me. And now, quarantined in my studio space, I had no resources to multiple-expose abstract photos. Again, circumstances interfered with my creative progress.

I figured I had time on my hands and would study all the photo magazines I had been given years ago but never had the time to sit with and enjoy. So with nobody working due to the shutdown, this would be a vacation where I could do the leisurely things I always thought I might do if faced with free time. My library was full of things I had learned from and been inspired by. I would replenish myself with all the art history I had forgotten

Sitting on the floor by the front door where the light shone romantically from a side window, I sank in with a stack of gifted Aperture magazines to begin my reorientation with my past and the legacy of great photographers and artists.

It only took fifteen minutes before I realized that all the things I was finding in the vintage stores, books, magazines, glasses, and bric-à-brac were no different than what was in my studio. I started gathering what I considered implementable resources into piles and stacks, depleting my supply of sticky notes.

Before this time, I had pulled my triple exposures from various environments through discovery abounding in an ever-changing world guided by the principle that I would change or arrange nothing—only shoot things as I found them—an observational, journalistic approach. Now I was shifting to being a bit more intentional. I would change to a more deliberately targeted style of shooting.

I started photographing the objects and pictures proximal to me and in proximity to each other selectively from my cache of permanent personal resources. These resources from which I had formed my ideas, been inspired, and shaped my thoughts and beliefs throughout my years.

These were now the muses of my imaginative play.

(continued in part 4 — conclusion ).


  • Hello & Welcome
    Greetings to the new blog portion of lefever.com
  • In The Beginning
    Curiosity bred invention that became quite the creative journey and developed an understanding of human perception.
  • Another Type Of Seeing
    Building on my previous post and making a memoir of how this multi-exposure style developed.
  • Circumstances 1
    I, for one, need stability in which to create. Sometimes circumstances dictate the course. This is a short story of an art in development.
  • Circumstances 2
    Sometimes a “NO” can be a blessing needed for new life. But who knows when in the middle of outrage?
  • Circumstances 3
    With 2020 an existential freakout and restriction like dark clouds break for a beam of light and new direction.
  • Circumstances 4 (conclusion)
    This is how some creative ideas develop as the developmental course gets blocked and altered by circumstance—but then: lightning.
  • Bob Dylan Didn’t Say That!
    This is a fine example of memory conflation. Bob Dylan didn’t say that! What did Bob Dylan say?
  • Art Review: Chihuly
    Chihuly Glass: Oklahoma City, OK and Las Vegas, NV I… Read more: Art Review: Chihuly
  • Art Review: Schnabel
    My Favorite Painting in Aria, Las Vegas–And A Cup Of… Read more: Art Review: Schnabel
  • Art Review: Rauschenberg
    Robert Rauschenberg artworks to be found in plain view at the Bellagio Hotel, Las Vegas – A review.
  • InBloom
    Bellagio Gallery of Fine Art, presents a wonderful show, In Bloom, curated from the Santa Fe TIA Collection.
  • AKHOB
    Bellagio Gallery of Fine Art, presents a wonderful show, In Bloom, curated from the Santa Fe TIA Collection.

Circumstances 3 Read More »

Circumstances 2


Circumstance Dictates Course

pt2. (Blocked Into Treasure)

Continued from the previous post:

But then continuing events would change the direction my art was taking.

I was being stopped too often by Casino security for unfounded terrorism concerns.

Being stopped and exiled from Aria, The Venetian, Circus Circus; I no longer felt free to explore and was constantly on the lookout for Security while being aware of the multitude of cameras in any casino. Despite showing camera playback to security personnel and describing the abstract photos I was making as an attempt to release myself from restriction, I was too suspicious of a character to be allowed to continue; my cameras and lenses being the principal concern. My argument that all the people taking photographs through the casinos with their cell phones was no help in my defense. I was low-hanging fruit. One guard’s logic was that the people photographing with cell phones were all guests staying at the casino. (“??”)

One time at the Venetian, after shutting off my camera and capping the lens, because I didn’t turn around and go home but chose instead to continue through the casino on my way to a shopping mall, I was surrounded by five security guards, one with a dog, all with their hands on pistol, a few standing at a distance in obtuse angles while the head of Security questioned me. From that incident, at that casino, I became known there as the “multi-exposure guy.”

I even asked for permission once from the Sands/Venetian organization and was denied access to take photographs for my exploratory art project. I even offered them usage rights if they found it interesting enough.

They didn’t.

I was frustrated at the very least and felt my time with multiple exposures was ending—my local sources were blocked.

You see, it’s not always about art with us artists; it is often a method of thinking about life through a creative formation (or rather, while in that process which involves observation and trial), and that leads to some enlightening strata as one digs deeper into philosophical ground or historical lineage or a theory that develops during the creative progress. It’s not always just about art for art’s sake: for some of us, it’s a process of experiencing and considering life. And yes, we sound weird about it in conversations and blogs.

I found pawn stores and vintage shops in the Las Vegas Arts District [this was pre-covid]. Yes, it was a drive. But now the time was more concentrated to a full day through 5 stores every other week.

For the next year, these stores fed me with no end of source material and without anxiety since I had permission from the shop owners to make my creative explorations. The creative flow was vital again.

From this shift, the images advanced into new thematic territory.

I was in discovery heaven.

And then, 2020…

(continued in part 3).


  • Hello & Welcome
    Greetings to the new blog portion of lefever.com
  • In The Beginning
    Curiosity bred invention that became quite the creative journey and developed an understanding of human perception.
  • Another Type Of Seeing
    Building on my previous post and making a memoir of how this multi-exposure style developed.
  • Circumstances 1
    I, for one, need stability in which to create. Sometimes circumstances dictate the course. This is a short story of an art in development.
  • Circumstances 2
    Sometimes a “NO” can be a blessing needed for new life. But who knows when in the middle of outrage?
  • Circumstances 3
    With 2020 an existential freakout and restriction like dark clouds break for a beam of light and new direction.
  • Circumstances 4 (conclusion)
    This is how some creative ideas develop as the developmental course gets blocked and altered by circumstance—but then: lightning.
  • Bob Dylan Didn’t Say That!
    This is a fine example of memory conflation. Bob Dylan didn’t say that! What did Bob Dylan say?
  • Art Review: Chihuly
    Chihuly Glass: Oklahoma City, OK and Las Vegas, NV I… Read more: Art Review: Chihuly
  • Art Review: Schnabel
    My Favorite Painting in Aria, Las Vegas–And A Cup Of… Read more: Art Review: Schnabel
  • Art Review: Rauschenberg
    Robert Rauschenberg artworks to be found in plain view at the Bellagio Hotel, Las Vegas – A review.
  • InBloom
    Bellagio Gallery of Fine Art, presents a wonderful show, In Bloom, curated from the Santa Fe TIA Collection.
  • AKHOB
    Bellagio Gallery of Fine Art, presents a wonderful show, In Bloom, curated from the Santa Fe TIA Collection.

Circumstances 2 Read More »

Circumstances 1


Circumstance Dictates Course

pt1. (Stability and Adjustment)

As a creative professional, I try to limit disruptive variables that interfere with creative stability. Creative variables are okay, however.

Sometimes, circumstances dictate I stop what I am doing. But those can lead to a creative blessing (though, at the time, it does not feel as such).

As previously noted, I began playing with multiple-exposure photographs in 2017. That style and process were developing into an understanding of how the brain might see an image from all the acquired information from a darting eye: focusing on different parts of an environment and taking mental note as to what is where, the time of day, the moving pieces in ‘space-time.’ (A bit strange and Einsteinian, right?).

Our eyes are not a camera and do not see from a single point, a shutdown aperture, or make a still capture in 1/500th of a second. Our eyes feed visual and physical data to our brain, and the brain composes our understanding of the environment we find ourselves in.

Our eyes constantly scan and refocus, and our brain is “membering.” Add to this our other senses, and all that information is stored for quick short-term analysis (short-term memory) or later recall of that instance (long-term memory). Our brain takes that data and constructs a recognizable description to recognize what is safe or hostile so that we can navigate and interact within our environment and with those in it.

Think of those who lose their short-term memory and can not recall what they just heard or saw. Everything is new, as if being discovered for the first time over and over. Our brains hold together all the data our senses collected, especially and to the most considerable degree, our visual data.

And further, add to that our interpretation of all the data we collect in proximity. We are always proximate to our internal beliefs. That is, we see with bias. Cognitive biases from our prior experiences, from previous data (be it family upbringing, religious, political, trauma, education, news sources, emotional coloration, etc.).

My creative work and discovery continued on the path of exploring my backyard, which happens to be the casinos on the Las Vegas Strip: from the Wynn to the Aria on both sides of the street. I was content with this and went out once a week to gather new data from new circumstances of the ever-changing landscape that is the Las Vegas Strip.

But then continuing events would change the direction my art was taking.

(continued in part 2).


  • Hello & Welcome
    Greetings to the new blog portion of lefever.com
  • In The Beginning
    Curiosity bred invention that became quite the creative journey and developed an understanding of human perception.
  • Another Type Of Seeing
    Building on my previous post and making a memoir of how this multi-exposure style developed.
  • Circumstances 1
    I, for one, need stability in which to create. Sometimes circumstances dictate the course. This is a short story of an art in development.
  • Circumstances 2
    Sometimes a “NO” can be a blessing needed for new life. But who knows when in the middle of outrage?
  • Circumstances 3
    With 2020 an existential freakout and restriction like dark clouds break for a beam of light and new direction.
  • Circumstances 4 (conclusion)
    This is how some creative ideas develop as the developmental course gets blocked and altered by circumstance—but then: lightning.
  • Bob Dylan Didn’t Say That!
    This is a fine example of memory conflation. Bob Dylan didn’t say that! What did Bob Dylan say?
  • Art Review: Chihuly
    Chihuly Glass: Oklahoma City, OK and Las Vegas, NV I… Read more: Art Review: Chihuly
  • Art Review: Schnabel
    My Favorite Painting in Aria, Las Vegas–And A Cup Of… Read more: Art Review: Schnabel
  • Art Review: Rauschenberg
    Robert Rauschenberg artworks to be found in plain view at the Bellagio Hotel, Las Vegas – A review.
  • InBloom
    Bellagio Gallery of Fine Art, presents a wonderful show, In Bloom, curated from the Santa Fe TIA Collection.
  • AKHOB
    Bellagio Gallery of Fine Art, presents a wonderful show, In Bloom, curated from the Santa Fe TIA Collection.

Circumstances 1 Read More »

Another Type Of Seeing


Another Type of Seeing

Building on my previous post and making a memoir of how this style developed—this “seeing differently” of considering how the brain pieces together data and forms an understanding of the world we occupy, identify, and claim as familiar. These photographs of mine are less scenic and more a mental capture.

Like many new things, the following understanding came to me due to limitations. My camera was the limitation. When set to shoot in multiple exposure mode, my camera reverts to single shot mode if and when the camera goes to sleep (due to a lapse in time for not tapping the shutter button). As a result, and not wanting to continually tap the shutter button in the middle of a sequence (or set the camera never to fall asleep), I would only photograph things within my proximal purview within a 30-60 second window. I would capture a document as my eyes dart around, mapping the environment, looking for elements of interest, and stitching them together as a pictorial representation of my visual experience: of the process of capturing data to my brain and how my brain might see the scene. I was at that time – at that moment, collecting a picture of my surroundings based on my eye reading a location and stitching together a relevant expression. The resulting image would mark my memory of that moment in that place—a mental shorthand.

It is important to note here that this is ‘selective’ seeing. Bias dictates my “seeing .” We only ever seem to see what we are looking for. My mental perspective, my motive for looking, is to make something artful in composition and, in some cases, contextually. My final multiple exposures represent the information I am proximal to at any given time, as led by my particular bias to make an artistic result. We all see what we are looking for among the data to which we are in approximation, and our bias influences that which we look for in that data. Not just what we see but also what we think. Chicken/Egg. Confirmation Bias? Nature, nurture, either, or both?

This process of how we form our perceptions of our world fascinates me. We see and make sense of the world we live in, good and bad, in how we stitch things together as our eyes dart about collecting data to our mind’s eye, according to some bias or programming we hold to—but I am ‘waxing.’ Excuse me. My thoughts tend to run away.

And in the running, as all ideas do, this idea evolves with consideration and the continued activity of the creative process. And that is something for my next blog post.

Below is a small gallery of works from walking around Las Vegas back at the beginning when my subject matter was less cerebral, social, or historical—before it became about memory, experience, and personal knowing. Then it was about buildings and noise and the vibrant energy of Las Vegas. And this style was a great way to capture it all.


Early Triple Exposures Around Las Vegas


  • Hello & Welcome
    Greetings to the new blog portion of lefever.com
  • In The Beginning
    Curiosity bred invention that became quite the creative journey and developed an understanding of human perception.
  • Another Type Of Seeing
    Building on my previous post and making a memoir of how this multi-exposure style developed.
  • Circumstances 1
    I, for one, need stability in which to create. Sometimes circumstances dictate the course. This is a short story of an art in development.
  • Circumstances 2
    Sometimes a “NO” can be a blessing needed for new life. But who knows when in the middle of outrage?
  • Circumstances 3
    With 2020 an existential freakout and restriction like dark clouds break for a beam of light and new direction.
  • Circumstances 4 (conclusion)
    This is how some creative ideas develop as the developmental course gets blocked and altered by circumstance—but then: lightning.
  • Bob Dylan Didn’t Say That!
    This is a fine example of memory conflation. Bob Dylan didn’t say that! What did Bob Dylan say?
  • Art Review: Chihuly
    Chihuly Glass: Oklahoma City, OK and Las Vegas, NV I… Read more: Art Review: Chihuly
  • Art Review: Schnabel
    My Favorite Painting in Aria, Las Vegas–And A Cup Of… Read more: Art Review: Schnabel
  • Art Review: Rauschenberg
    Robert Rauschenberg artworks to be found in plain view at the Bellagio Hotel, Las Vegas – A review.
  • InBloom
    Bellagio Gallery of Fine Art, presents a wonderful show, In Bloom, curated from the Santa Fe TIA Collection.
  • AKHOB
    Bellagio Gallery of Fine Art, presents a wonderful show, In Bloom, curated from the Santa Fe TIA Collection.

Another Type Of Seeing Read More »

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